Online sex cam sap - Validating a dance specific screening test for balance

A number of methodological options are available, such as on-site healthcare and support, screening programs, and educational initiatives, for example.However, given the idiosyncrasy of each environment within which these programs are implemented in terms of the perceptions and expectations of the people involved (i.e., dancers, artistic staff, management, healthcare providers) and the resources (i.e., financial, time, staffing) that the organization may be able to devote to a potential wellness program, it is unlikely that there will be a single “optimal” wellness program that is appropriate for all settings.In order to address the prevalence of health problems among performing artists, a growing number of arts institutions are developing and offering wellness programs to their artists (Chesky et al., 2006; Manchester, 2007; Potter et al., 2008; Atkins, 2009).

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Participant feedback helped refine the medical team available to the dancers and influenced the treatment and referral pathways via which dancers are able to access each member of the medical team.

Furthermore, reflective discussions with artistic and management staff brought to light potential interactions between repertoire programming, fitness, and injury patterns.

In response to this situation, this paper will introduce and discuss an ongoing research project designed to develop, evaluate, and revise a dancer wellness program with a professional ballet company.

To clarify, in the present situation the term “medical team” refers to physicians and healthcare practitioners including physiotherapists, chiropractors, psychologists, naturopathic doctors, massage therapists, and Pilates instructors.

That said, it is not our intention to suggest that methodologies such as those informed by the Sequence of Prevention Model are not applicable to a wide range of performing arts organizations (van Mechelan, 1997).

Rather, what we are trying to suggest is that the method by which injury prevention interventions can be implemented will vary and be dependent upon situational constraints particular to each organization which need to be considered.Although no prospective injury incidence data for musicians exist, retrospective data indicate that 56% of musicians will sustain a music-related injury throughout their careers (Zaza, 1998; James, 2000; Spahn et al., 2004).This research also indicates that the types of mental and physical health problems that performing artists experience are varied and complex.The collective expertise of the assessors was used to modify the components and process of the screen to strive for ecological appropriateness.The process also fostered buy-in from all involved.Alongside implementation with 30 professional ballet dancers, formal and informal feedback was sought from stakeholders and members across all levels of the ballet company to facilitate ongoing development, evaluation, and revision of the wellness program.

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