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"So this is downtown." When Lambert isn't touring sold-out arenas or racking up awards (or promoting her new album, the confidently titled Platinum), Tishomingo is where she can usually be found – a sleepy southern Oklahoman home to roughly 3,000 people.

("Three thousand one hundred," Lambert says.) She moved here from Nashville in 2006 to be closer to her then-boyfriend, now-husband – fellow country singer and The Voice star Blake Shelton – but at this point, she's practically the mayor.

Lambert has built an extremely successful career out of being a sweet, fun-loving Texas girl who might occasionally point a shotgun at you.

Her most famous songs range from pistol-packing revenge jams (like "Kerosene" and "Crazy Ex-Girlfriend") to tender, nostalgic ballads (like "The House That Built Me"), but what they have in common is a shortage of pretension and a surplus of lived-in authenticity. "It's great to be on the cover of magazines; after four hours of glam, everybody looks great.

But it's not like you're, like, castrating bulls or anything, right? "That's not really an everyday thing," she says. "We could if you want to." Right now we're on our way to what Lambert, 30, calls her "creek house," a homey wood cabin where she often hangs with family and friends.

It's a few miles outside of town, down a dirt road that leads to a smaller dirt road.

She has a little shop downtown and a bed-and-breakfast opening soon, plus four plots of land comprising a few thousand acres where Lambert and Shelton keep an ever-growing barnyard menagerie.

"Some people are scared to visit, because it's muddy and there's animal poop," she says.

But it's not who I am every day." Although she's logged four platinum albums and as much TV time as a lot of pop stars, she prefers to pass her days ankle-deep in horse shit in a down-home fantasy of her own creation.

It's an almost clichéd version of the perfect country life – made considerably more charming by the fact that it actually seems to be true.

The abuse of men is often treated as less serious, or a “joke.” We’ve seen this in action recently with the elevator footage of Solange Knowles attacking Jay-Z.

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