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Al Avison and Al Gabriele often worked together and were quite successful in adapting their individual styles to each other.

Actually, their work was not too far from [that of] Kirby's.

Kirby did his thing, building the muscular anatomy, adding ideas and pepping up the action as only he could.

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If they worked on it, and if one inker tied the three styles together, I believed the final product would emerge as quite uniform.

The two Als were eager to join in on the new Captain America book, but Jack Kirby was visibly upset. "It's just a matter of a quick deadline for the first issue." "I'll make the deadline," Jack promised.

The character is usually depicted as the alter ego of Steve Rogers, a frail young man enhanced to the peak of human perfection by an experimental serum to aid the United States government's efforts in World War II.

Near the end of the war, he was trapped in ice and survived in suspended animation until he was revived in the present day.

"I'll pencil it [all] myself and make the deadline." I hadn't expected this kind of reaction ...

but I acceded to Kirby's wishes and, it turned out, was lucky that I did.

After Bucky was shot and wounded in a 1948 Captain America story, he was succeeded by Captain America's girlfriend, Betsy Ross, who became the superheroine Golden Girl.

Captain America Comics ran until issue #73 (July 1949), with the finale being a horror/suspense anthology issue with no superheroes. " Captain America appeared during the next year in Young Men #24–28 and Men's Adventures #27–28, as well as in issues #76–78 of an eponymous title.

Simon said Captain America was a consciously political creation; he and Kirby were morally repulsed by the actions of Nazi Germany in the years leading up to the United States' involvement in World War II and felt war was inevitable: "The opponents to the war were all quite well organized.

We wanted to have our say too." While most readers responded favorably to the comic, some took objection.

After the Simon and Kirby team moved to DC Comics in late 1941, having produced Captain America Comics through issue #10 (January 1942), Al Avison and Syd Shores became regular pencillers of the celebrated title, with one generally inking over the other.

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